Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Thomas Van Buerle
Henry Elliot,Aide-de-Camp to sir Thoms Hislop,Carried in a Palanquin beneath the Walls of the Fort of Bharatpur

ID: 39849

Thomas Van Buerle Henry Elliot,Aide-de-Camp to sir Thoms Hislop,Carried in a Palanquin beneath the Walls of the Fort of Bharatpur
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Thomas Van Buerle Henry Elliot,Aide-de-Camp to sir Thoms Hislop,Carried in a Palanquin beneath the Walls of the Fort of Bharatpur


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Thomas Van Buerle

fl1809-1835   Related Paintings of Thomas Van Buerle :. | Scenery from Ojcow | Lumberer | Akt in der Sonne | Seen taken pres of l-auberge of the Crow has Zurich | Le Pouldu Landscape |
Related Artists:
michael sittow formerly known as maitre Michiel
Reval(Estonia)ca 1468-1525/26
Felix-emile Taunay
painted Rodrigo de Freitas Lagoon in 1828
Rutilio Manetti
Italian Baroque Era Painter , 1571 - 1639 was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaele Vanni, the son of Francesco. He is known for the following works in Siena or nearby towns: Story of St Catherine and Pope Gregory (1597; Palazzo Pubblico), Baptism of Christ (1600; San Giovannino in Pantaneto); a fresco cycle of the Story of St Roch (1605-1610; San Rocco alla Lupa), Pope Alexander I freed from prison by an Angel from San Giovanni Battista in Sant'Ansano in Greti; a Temptation of Saint Anthony (1620, Sant'Agostino), a Death of Blessed Antonino Patrizi (Monticiano, 1616), a Blessed Domenico dal Pozzo at the table now in Certosa of Florence, a Birth of Virgin (1625, Church of Santa Maria dei Servi), and a painting (1628, Church of San Domenico). He painted a remarkable Allegory of the four seasons and a Parable of the blind men, now in private collections. He also contributed to the Casino Mediceo His style moved from one derived from Barocci to a more Caravaggesque manner after the first decade of the 1600s.






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